Pinchgut knocked it out of the park again. Lindy Hume’s direction, Tony Assness’s set, Alistair Trung’s costumes and Matthew Marshall’s lighting were perfectly judged to make virtues of the City Recital Hall’s strict limitations for dramatic presentation.

The Australian

The fine production by Lindy Hume had all the hallmarks of her outstanding and well-proven ability to get to the essence of the drama of whatever work she is directing. With designers Tony Assness, Alistair Trung and Matthew Marshall, she made very effective use of what is a difficult space in which to stage opera.

The Conversation

A near perfect production. Director Lindy Hume… moulds her characters with a rare simplicity to form arresting tableaux. The women's chorus, for example, fans out behind Iphigénie like an extension of her train, or grabs Orestes in a jail-like mesh of arms, gilding the drama with elegant hysteria.

Sydney Morning Herald

Pinchgut knocked it out of the park again. Lindy Hume’s direction, Tony Assness’s set, Alistair Trung’s costumes and Matthew Marshall’s lighting were perfectly judged to make virtues of the City Recital Hall’s strict limitations for dramatic presentation.

The Australian

The fine production by Lindy Hume had all the hallmarks of her outstanding and well-proven ability to get to the essence of the drama of whatever work she is directing. With designers Tony Assness, Alistair Trung and Matthew Marshall, she made very effective use of what is a difficult space in which to stage opera.

The Conversation

A near perfect production. Director Lindy Hume… moulds her characters with a rare simplicity to form arresting tableaux. The women's chorus, for example, fans out behind Iphigénie like an extension of her train, or grabs Orestes in a jail-like mesh of arms, gilding the drama with elegant hysteria.

Sydney Morning Herald

Pinchgut knocked it out of the park again. Lindy Hume’s direction, Tony Assness’s set, Alistair Trung’s costumes and Matthew Marshall’s lighting were perfectly judged to make virtues of the City Recital Hall’s strict limitations for dramatic presentation.

The Australian

The fine production by Lindy Hume had all the hallmarks of her outstanding and well-proven ability to get to the essence of the drama of whatever work she is directing. With designers Tony Assness, Alistair Trung and Matthew Marshall, she made very effective use of what is a difficult space in which to stage opera.

The Conversation

A near perfect production. Director Lindy Hume… moulds her characters with a rare simplicity to form arresting tableaux. The women's chorus, for example, fans out behind Iphigénie like an extension of her train, or grabs Orestes in a jail-like mesh of arms, gilding the drama with elegant hysteria.

Sydney Morning Herald

© 2022 Lindy Hume

© 2022 Lindy Hume

© 2022 Lindy Hume

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